Lorelie Quiambao-Osial, Pilipinas Shell Country chairwoman, expressed to the young artists her confidence in how they can make a difference in a world that is slowly rebuilding itself after a major crisis: “The pandemic has affected every aspect of our lives. Yet there was a strength of spirit inside you that shone through. We see it mostly in your art, and that is what we are recognizing today. As we bravely continue to navigate through this pandemic and look forward to recovery, we believe that art could start change and progress.”
As the event guest speaker, Bernadette Romulo-Puyat, Secretary of the Department of Tourism, agreed, “That art and artist have an important part to play in nation-building. Art allows us to engage with current situations, and the young generation is changing the way they think and speak to create a more inclusive society.” She also echoed BTS’s famous phrase about the issue on today’s youth before the UN General Assembly, “You are not the lost generation, but rather the welcoming generation.”
Resilience, hope, and courage were the recurring messages that shone from the top three prizes in the four categories.
Digital Fine Arts Category
2nd Place: “Pagtanggap Mo Sa Aking Pagkukulang” by Mary Franz Salazar from Technological University of the Philippines, Manila. Its message: the rebuilding of a nation does not take a single person, but rather a community of people who care about each other and their common vision.
3rd Place: “Tayo’y Makakahinga Muli” by Ralph Enzo Rabaya from Xavier University. The image depicts the artist’s childhood who grew up yearning for love because of insufficient parental direction.
Oil-Acrylic Category
2nd Place: “Regrowth” by Ranier Angelo Bolivar of GK College of Business, Arts, and Technology. The artwork depicts how during the pandemic, individuals, like nature, can regenerate and adapt to any condition in order to become stronger and better. After the rain, there’s a new sprout of hope that we may hold and cultivate for our future.
3rd Place: “Puhon” by Gyles Maverick Abac from the Univeristy of the Philippines-Diliman. His artwork is an exhortation to move forward, rather than be stuck in a place, when a debilitating crisis hits.
Sculpture Category
2nd Place: “Laban Lang!” by Mark Eclipse from Ramon Magsaysay Memorial Colleges Marbel Inc. The artwork recommends courage and moving forward to continue the fight for one’s advocacies and passions.
3rd Place: “Future on Our Fingerprint” by Zoe Manigan from Far Eastern University. The artwork illustrates that molding the future begins with exercising our responsibility in voting for the next leaders of our country, who will hopefully bring us to a brighter tomorrow.
Watercolor Category
2nd Place: “Sa Dibdib Mo’y Buhay” by Patricia Serrano from the Technological University of the Philippines-Manila. The artwork depicts the tenacity of the Filipino through the image of a young girl and her capacity to find her inner soul strength during the most challenging moments.
3rd Place: “Progresibong Papel ng Pagkatao” by Elaiza Judilla from the University of the East-Caloocan. These pieces of paper are like a human being’s different phases of life, showing his progress as he triumphs over adversity.
Pilipinas Shell enlisted the help of seasoned artists and distinguished leaders in the art community to serve as judges, namely: Ross Capili, Dopy Doplon, and Pablo Biglang-Awa Jr. for the Digital Fine Arts category; Edgar Fernandez, Antipas Delotavo, and Renato Habulan for the Watercolor category; Isko Andrade, Kenneth Esguerra, and Alfredo Esquillo, Jr. fo the Oil/Acrylic category; Paul Quiano, Toym Leon Imao, and Reggie Yuson for the Sculpture category.
As art continues to play a significant role in today’s society, Pilipinas Shell’s NSAC remains committed to its support of young artists, empowering them to occupy a greater role in nation-building. Elizabeth Gustilo, Director of the Ayala Museum, said, “Through their tools and talents, our artists can craft their vision of a better future, actively taking part in shaping the nation, post-pandemic. The 54th NSAC batch of student artists knew that the story, a message that needed to be told, was one of the fresh starts on pushing forward despite the challenges.”